<del id="p9ppr"><thead id="p9ppr"><form id="p9ppr"></form></thead></del>

          <p id="p9ppr"><del id="p9ppr"><thead id="p9ppr"></thead></del></p>

          <pre id="p9ppr"></pre>



              The Realisation That Someone Has Been Stood Behind You Your Entire Life
              [eh?110]Johannes Bergmark / Guido H黚ner
              nisip noaptea
              [eh?109]Seeded Plain
              Flying Falling
              The Furies Inside Me OST
              [eh?107]Jaap Blonk
              Joyous Junctures
              [eh?106]Sindre Bjerga
              Hesitation Marks
              [eh?105]Patrick Shiroishi / Arturo Ibarra
              LA Blues
              Atomnye Deti
              [eh?103]Seeded Plain
              Buffets Close Suddenly
              [eh?102]Tania Chen & Jon Leidecker
              Live In Japan
              [eh?101]Cookie Tongue
              Orphan Arms
              monument 36
              [eh?99]Bill Brovold
              Misty Nights
              [eh?97]L. Eugene Methe and Megan Siebe
              Revisited, Revisited, Revisited
              [eh?96]Felipe Araya
              [eh?95]Eoin Callery
              [eh?93]Bad Jazz
              [eh?92]Ernesto Diaz-Infante
              My Benign Swords
              [eh?91]Larnie Fox
              In The Cathedral of Airplanes
              [eh?90]Tom Djll
              [eh?89]Leonard * Day * Jerman
              [eh?88]Das Torpedoes
              Qu Nar
              [eh?87]Ben Bennett & John Collins McCormick
              [eh?86]Daniel Wyche
              Our Severed Sleep
              [eh?85]Seeded Plain
              Spill Containment
              [eh?84]Bad Jazz
              Bad Dreams In The Night
              [eh?83]Chefkirk & Andrew Quitter
              Kaiju Manifestos
              [eh?82]Venison Whirled
              [eh?81]Gary Rouzer
              Studies and Observations of Domestic Shrubbery
              [eh?80]Unrepeatable Quartet
              Edmonton 2012
              [eh?79]Stefan Roigk
              [eh?78]Lucky Bone
              [eh?77]Jeffrey Alexander
              No Sacred Snow, No Sacred Show
              [eh?76]Bruno Duplant / Pedro Chambel / Fergus Kelly
              (Winter Pale) Red Sun
              [eh?74]Graves / Kreimer / Wilsey / Bachmann
              The July Amalgam
              [eh?73]Sky Thing
              Virgin Journalist
              [eh?72]Cactus Truck
              Live in USA
              [eh?71]Various Artists
              Hammer, Anvil, Stirrup
              [eh?70]Alice Hui-Sheng Chang, Park Seungjun and Jin Sangtae
              Live at Dotolim
              [eh?69]Edward Ricart & Tim Daisy
              Yiu Ja Ley
              [eh?68]Chagas And Schafer
              Gesture To The Declining Sun
              Plasma Clusters
              [eh?66]Jeff Kaiser / Nicolas Deyoe
              Chimney Liquor
              [eh?65]Close Embrace of the Earth
              At the Spirits Rejoice Festival
              [eh?64]Jean-Marc Montera & Francesco Calandrino
              Idi Di Marzo
              [eh?63]Un Nu
              [eh?62]Bailly / Millevoi / Moffett
              Strange Falls
              [eh?61]Jacob Felix Heule & Bryce Beverlin II
              Space Sickness
              Mud Layer Cake
              [eh?58]Strongly Imploded
              Twilight of Broken Machines
              we must leave the warren
              Moist Areas
              [eh?55]Eloine & Sabrina Siegel
              Nature's Recomposition 33
              Any Port In A Storm
              [eh?53]Eckhard Gerdes
              !Evil Scuff Mud
              [eh?52]Psychotic Quartet
              [eh?51]Federico Barabino
              Can You Listen To the Silence Between the Notes?
              The Fruit Witch of Ancient Salamander
              [eh?48]Ember Schrag
              Jephthah's Daughter
              [eh?47]Massimo Falascone / Bob Marsh
              Non Troppo Lontano
              [eh?46]Delplanque / Oldman
              Chapelle de l'Oratoire
              [eh?45]The Epicureans
              A Riddle Within a Conundrum Within a Game
              [eh?44]Croatan Ensemble
              [eh?43]Man's Last Great Invention
              [eh?42]Sad Sailor
              Link to the Outside World
              [eh?41]Ricardo Arias / Miguel Frasconi / Keiko Uenishi
              [eh?40]Andreas Brandal
              This Is Not For You
              [eh?39]Gamma Goat
              Beard of Sound, Beard of Sand
              [eh?38]John Dikeman / Jon Barrios / Toshi Makihara
              We Need You
              [eh?37]David Moscovich
              Ass Lunch
              Four Plus One
              I Manage To Get Out by a Secret Door
              Dirty Realism
              [eh?33]Jesse Krakow
              World Without Nachos
              Wave the Old Wave
              [eh?30]Bryan Day
              Four Televisions
              Hear Here
              Yama Labam A
              [eh?27]Shelf Life
              [eh?26]Papier Mache
              [eh?25]Papier Mache

              Seeded Plain - Flying Falling
              C60 (San Francisco, CA)

              Side A:
              -Frost Axis
              -Quilter's Relish
              -Ritual Bushings
              -Astral Turf

              Side B:
              -Henge Loft
              -Tin Puncher
              -Temporal Mush

              Seeded Plain is Bryan Day & Jay Kreimer : Invented Instruments
              Recorded by David Graves October 2017 at Fine Vermin Studio, San Francisco, CA

              (Lost In A Sea Of Sound) Seeded Plain vibrates the earth. A giant amalgam of intense creations taking various strides and fluctuating paces. With each step, the complete weight of this combined entity sending concussive waves through the core. Appendages clank, rattle, insides gurgle and spew, another motion forward causing similar but alternate reactions. In some distant context there is rhythm, not as it's currently understood, but a complicated pattern stemming from two spirits. Sounds emanating with currents of energy, fueled by unadulterated creativity. The desire to build and compose what can not be mapped, a place journeyed to only once. Flying Falling is the recorded memory, an fortunately it can be played again. Bryan Day and Jay Kreimer are the duo comprising Seeded Plain. They have been working on this project for over ten years, steadily releasing their sonic pliability. This is just the content of both Bryan and Jay working together. A very small sum of individual and other cooperative projects, not to mention exhibits, art shows and workshops. With a wide range of various involvements, their Seeded Plain relationship has endured. Producing the newest collaboration titled Flying Falling, a sixty minute tape containing eight tracks. Their sounds are derived from beautifully crafted thoughtfully personal instruments. The aural output is beyond these words, so take a look and listen here for a few examples of these graceful creations... - Robot Rattle

              (Cassette Gods) Guy in the parking lot directly below our balcony is power-washing his van抯 guts out. An auto-enema, I guess? The sound is a multi-layered hiss and hum that sounds like a decent, idling vacuum cleaner and stovetop tea kettle are vying for attention卼hese howls then cut short by an actual, industrial wet/dry vac, which sounds more like a diesel-guzzling construction vehicle抯 slow crawl than any debris harvesting shop-vac I抳e ever handled. &Now enter a commercial shop-vac (not making this shit up) into our apartment抯 block-long corridor, just outside the apartment door, it抯 accordion trunk breathing heavy, it抯 snout scraping the (fucking filthy) crevice where carpet and chipped wall trim meet, desperately searching for peanut shells, toe nails, whatever it can. The above account of why I抳e woken up so fucking early after a poor night抯 sleep fits in with these here sounds captured by Seeded Plain pretty well, my current surrounding urban taunts droning in sync and contrasting with SP抯 (Bryan Day抯/Jay Kreimer抯) percussion-heavy explorations (nearly all being electro-acoustically wrung via pluck, skitter, scrape, rub, thwack) via their impressive collection of home made reverberant devices, something fierce! &let抯 face it; deep listening to Eh? Records?stuff won抰 get done by many in an anechoic chamber. There抣l always be some outside color bleeding through when listening to their subtle, nuance-packed catalogue*, and listening to 揊lying Falling?whilst being surrounded by commercial-grade dirt-suckers has leant me an entirely different narrative (albeit post-apocalyptic now) than when I listened to it, yesterday, amidst the relative quiet of crepuscular birds a-courting from telephone lines and coral gums that surround our complex. Where now, it sounds as if I am INSIDE a wheel-house of unaligned gears that don抰 get along, but rather fight over rubber belts, claw at the tin skin encasing them, and attempt to shed their grime in hopes to rust back to stasis, yesterday, I felt I was bearing witness to the communiques of every single jungle animal and every single plains animal capable of producing a noteworthy utterance, all these fauna taking turns at the tree line to vent -and a good amount of overlapping argument did ensue- to one another, all the while, those incapable of moaning, shrieking, or howling attempted an animal morse-code on whatever rock or destroyed poacher抯 vehicle door they could find nearby. Which is to say, Seeded Plain does one helluva job coaxing the most dynamic, enigmatic -and just plain old WILD- sounds possible from the devices they抳e personally cobbled together, whether they contain resonant chambers, strings/cords, loose metal clumps of varying smoothnesses/roundnesses, and/or contact microphones. 揊lying Falling?is a goddamn trip, no matter where you抮e listening from, physically, and metaphysically. Talk about versatile! - Jacob An Kittenplan

              (KFJC) Seeded Plain are the local electroacoustic duo of Jay Kreimer and Bryan Day (of Collision Stories, and the head of the new music labels Public Eyesore and eh?). Over the length of this C60 tape, we抮e drawn into a strange sonic realm made entirely from a collection of original homemade instruments invented by the duo. The devices used on this recording aren抰 specified, but Day抯 creations have names like Magnetoselqier, the Rotowhisker, and the Sputterphone, vivid titles that give clues to the origin of the unique sounds found here. At times they have a familiar counterpart ?a plucked string, a toy piano, a vibration from a gong, a hiss of an insect. But others are utterly alien: the whistles, whirrs, and warbling tones from another dimension that melds with and subtly transforms our own. - Lexi Glass

              (Chain DLK) Seeded Plain is a project of Bryan Day (who runs Eh? and Public Eyesore) and Jay Kreimer with what seems to be occasionally a changing cast of additional performers. The Flying Falling album is the duo of Bryan and Jay. Personally I am very familiar with Public Eyesore which has released music by some of my favorite artists since about 2001. On Discogs, this is often listed as "Jazz", "Experimental" or "Free Improvisation" which I feel like are pretty generic terms. While sounding unique I hear a lot of Musique Concr鑤e influences. Flying Falling is a slow-moving scrape and dirge with various instruments being played in a non-traditional manner and distorted sounds of metal being rubbed and scraped to build a beautiful sonic experiment. Everything is laid out very well and you can tell the performers have experience in mixing these methods of sound generation together. This release is extremely chill and relaxing and shouldn't be missed by purveyors of experimental music. - Marc Benner

              ?2014 Public Eyesore Records. All Rights Reserved.